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ep 32

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You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com, or on Spotify, Apple Podcasts, YouTube or via RSS.

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I’m Nick Tann, musician and songwriter, sharing the best new music you haven’t heard yet.

Podcast: Play in new window | Download

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com or on your favourite podcast platform including Spotify, Apple Podcasts and YouTube or if you prefer RSS.

I have also relaunched our old Instagram site switching the focus from the old Is this thing profile to this so please have a click and a follow 

While you’re here, hit subscribe and get a heads up email every Monday when a new episode drops.

I’m Nick Tann – musician, songwriter, and your guide to the best new music you haven’t heard yet.

Episode 32 Show Notes

T.M/O, Cloverhill, Kitty May, Ron Delmar

We kick off with the stunning spoken wordery of T.M/O and her track Wilson, which I lavish much praise on. You can hear more from her via these links:
Facebook | Instagram | X | Website | YouTube

From her bio (supplied by Jo at Pufferfish):

Fury fuelled, love driven. We are all the same but T.M/O is truly exceptional.

Formidable lyricist T.M/O returns to your ears, hearts, screens and stages, a modern day Odysseus. Back from the dead with nine prop fibroids, a couple of new battle scars and an origin story so inspiring, so ridiculous, so frustrating. She is the art. A proven vessel of resilience, she may be the only artist to perform a Sofar Sounds set mid kidney failure, she hasn’t had time to check.

“Moving. Provocative. Politically charged in the best kind of way. Fuck you but thank you energy.” – Jazzi Sirius

T.M/O has been leaving spoken word fans in tears, quaking, cackling, and questioning themselves since 2019, performing alongside chart-topping Nxdia and the Voice’s Broken Pen. She speaks to and for those who have been thrust into corners they had no idea how to get out of, for every ‘other’ who can relate to losing momentum in the search for self.

For fans of Ren, Kate Nash, The Streets and Kae Tempest.

New single Wilson – produced by PaleBlu – is a drum and bass anthem for every castaway and rejected soul. Taken from the forthcoming EP 28 Staples Later (Dec 2025), inspired by her health battles and wider struggles faced by women every day.

She is certainly exceptional and well worth your time.

Next up is the phenomenon that is Cloverhill with their track Noise in Your Head. I remixed this for the podcast and tell the story in the episode, including a snippet of the original sent to me by Paul Lasky.

From their bio:

Cloverhill was born when guitarist and songwriter Paul Laskey met producer Grant Henderson at a music festival in France. They shared a love of classic rock and began working at Grant’s Loom Studio in Leeds, which produced their first album 7 of One, 2 and a Half of the Other.

Their albums have gained critical acclaim and recognition from names such as Neal Schon (Journey), Ron “Bumblefoot” Thal (Guns ‘n’ Roses, Sons of Apollo), Foreigner, Yes, Five Finger Death Punch and more recent acts like Massive Wagons, Those Damn Crows and The Dust Coda.

Their second album All Done With Dreaming reached #1 nationally on the ReverbNation Rock Chart, and they’ve since released Just North of Hell (2022). Despite setbacks including the loss of drummer Jon Hollins in 2023, they continue to record and have new material on the way, including Perfectly Insane scheduled for release in October 2024.

Find them here:
Website | Twitter | Facebook | Instagram

Kitty May and her track Our Place takes the third slot. A beautiful song, lovingly performed with care and honesty. Another track sent by Jo at Pufferfish, her bio says it best:

This hauntingly whimsical song invites you to take a trip through your most nostalgic memories and journey through a beautiful soundscape crafted by a young singer-songwriter truly coming into her own.

Produced by Gavin Bowers at Catch 21 Records in Norwich with stunning visuals by Adam Barnes.

Kitty-May is a talented young artist from East Anglia, making waves as a beautifully wistful songwriter invoking the folk sounds of the 60s and 70s while firmly staking a claim in the modern pop world. Her laid-back vocals float over a chord-driven sound pushed along by a lo-fi hip hop beat, weaving together a style that is both electronic and organic.

Follow her here:
Instagram | Facebook | YouTube Video

Finally, we come to Ron Delmar with Lovers on the Run. I bloody love this song from this very affable South African. It has a charm and deftness that had me humming the tune all day. It migt not have the polished production of some of the tracks I play but it has depth and a lot of heart.

Find him here:
Facebook and follow his amazing journey. 

 

Categories
Published Podcasts

ep 31

Podcast: Play in new window | Download

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com or on your favourite podcast platform including Spotify, Apple Podcasts and YouTube or if you prefer RSS.

While you’re here, hit subscribe and get a heads up email every Monday when a new episode drops.

I’m Nick Tann – musician, songwriter, and your guide to the best new music you haven’t heard yet.

Episode 31

Youth Killed It – The Mighty Heartbreak – Novelist Me – Stale Jan – Ft Ehtan Cronin

We kick off with the mighty Youth Killed It and their stonking tune “Johnny Bravo”.
Can’t tell you too much about the band but they have a website hiding amongst these socials so go check them out:
Facebook | Website | Instagram

Next is the mighty The Mighty Heartbreak and the mighty tune “Love Is”.
They have a website because they are sensible enough to want to control their own destiny:
Website

Go and make a date to catch them at their next gig, they have plenty!

Novelist Me slam their latest single “Sugar Husk” into our ears and it does have a slight Sugar tint to its sound. Although Andrew admits this being a bit on the Oasis side, he also says:

“Ironically this song came about after listening to some Sugar and Husker Du – hence the title of the track. It inspired me to try to go for something altogether a bit simpler, a bit chord-based and just loads of fuzz. Indeed it was only when trying to come up with vocal ideas that the Oasis vibe really hit me. I guess somewhere deep in my psyche those at the same time innocent and hedonistic Gallagher songs have had more influence than I realised. I was always more of a Blur fan.”

Obviously, there are socials:
Instagram | Website | Spotify | Facebook

 

Next the wonderfully named Stale Jan – Ft Ehtan Cronin brings us seductive vibes all the way from Oslo in your actual Norway, featuring Ethan Cronin (who I guess is singing), with the stunning “Silent War.”

If you like a good biog, then you will love this from their blurb:

From the vibrant music scene of Oslo, Norway, emerges Stale Jan, an indie-rock and pop artist who seamlessly blends melodic storytelling with modern production techniques. Operating under his label StaleSounds, Stale Jan has carved out a distinctive niche in the contemporary music landscape, creating stadium-ready anthems that resonate with listeners across all age groups.

By day, Stale Jan works as an IT manager, but when evening falls, he transforms into a musical storyteller, crafting songs that speak to the human experience. This unique dual perspective brings both technical precision and emotional depth to his artistry, resulting in a sound that’s both polished and authentically raw.

With 15 releases under his belt, Stale Jan has demonstrated remarkable versatility across his catalog. His breakthrough single “Rebel Song” established him as an emerging voice in the indie-pop scene. Other notable tracks include “Timeless Mary (Play Your Part)” and the cinematic “Roots of Resilience,” each showcasing his ability to blend introspective lyrics with infectious melodies.

Drawing inspiration from classic poetry and reimagining works by Emily Dickinson, Robert Frost and Sara Teasdale, he bridges the gap between literary tradition and contemporary pop sensibilities.

What sets Stale Jan apart is his forward-thinking approach to music creation, incorporating AI-generated elements while maintaining the human heart of songwriting. This blend of technology and emotion creates a sound that’s both cutting-edge and timeless, appealing to young pop enthusiasts and seasoned music lovers alike.

As an independent artist committed to artistic integrity, Stale Jan continues to push boundaries while staying true to his indie-rock and pop-rock roots. With each release, he proves that great music transcends genres, connecting with listeners through universal themes of love, rebellion, resilience, and hope.

So there you are AND it’s a great song!

And there you have it. Apart from ChatGPT tidying up the social tags and making it all look good, I did all the typing AGAIN. Where will it end…

This week I typed all this before I recorded the show which is a first, but then it’s been a weird day as I’ve been doing some things in a different order.

I had a thought… in these days of diplomacy and free speech not enough people get called cunts. e.g. Trump, Putin, Netanyahu to name but 3. Fortunately no one reads this far… well, except you obviously.

Categories
Published Podcasts

ep 30

Podcast: Play in new window | Download

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com or on your favourite podcast platform including Spotify, Apple Podcasts and YouTube or if you prefer RSS.

While you’re here, hit subscribe and get a heads up email every Monday when a new episode drops.

I’m Nick Tann – musician, songwriter, and your guide to the best new music you haven’t heard yet.

This week I am joined by Chris Smith who digs a bit deeper into the artists as we play them kicking off with Fall In To The Sun and Nineteenth hour. I’ve mixed things a bit hotter this week so this may knock your socks off! 

 

Alt-rock band Nineteenth Hour return with their explosive new single Fall Into The Sun, landing on all major streaming platforms on 27th June 2025.

A blistering anthem of frustration and defiance, Fall Into The Sun captures the raw emotion of feeling overlooked and abandoned, fuelled by a desire to break free and burn bright, no matter the consequences. With driving guitars, impassioned vocals, and a soaring chorus, the track marks a bold evolution in the band’s sound.

The single was brought to life in collaboration with acclaimed production duo Sugar House (known for their work with Corella, The Lilacs, and Venus Grrrls) and was mastered by Robin Schmidt, whose credits include Biffy Clyro, Sam Fender, Nothing But Thieves and Liam Gallagher.

“We really feel we have taken another step in our musical journey with Fall Into The Sun, and it’s only the beginning of this next stage of creativity for us,” says Joe, vocals and guitar.

This release kicks off a packed summer for Nineteenth Hour, with multiple gigs lined up and even more new music already in the works. Fans can expect an energetic and emotionally charged live experience as the band continue to carve out their place in the UK’s alt-rock scene.

They gave me Spandau, Duran and Simple Minds vibes personally. What do you think?

Follow Nineteenth Hour here:
Facebook
Instagram
YouTube

Next up was Sorry X with R U dwn. We know they are from Arizona and I managed to glean this from their bio via the lovely Emma from Plugginbaby:

Sorry X is an upcoming hard rock artist from Phoenix, Arizona. Vocalist Alexa has made a big impact in a short amount of time having already cultivated 10+ million streams independently.

Collaborating with Frank Zumo (Sum 41) on her single Digital HeartBreak as well as Recker Eans (Host of the Kids Tonight Show, Peacock/NBC) on The Trade, which they performed live on CBS.

Sorry X has picked up Spotify Editorial Teen Angst and All New Rock. Apple Music Editorial New in Rock and Breaking Hard Rock. Soundcloud Editorial Love Hurts.

Sorry X premiered last single Daisy on Revolver Magazine and is printed in the current issues of Revolver, Outburn, and RockSound Magazine.

Follow Sorry X here:
Facebook
Instagram

Next is the wonderful Zachary Friederich with the oddly memorable Finish Me. He is a songwriter and producer from New York.

Follow Zachary here:
Facebook
YouTube
Broadjam

Weathered Man sings us out with History with the help of The Noise. An absolute banger of a track and a great way to end this frankly banger of an episode.

Jo Lowes from Pufferfish, who is plugging this tune, has written a great bio for him and it would be a crime not to paste it here:

WeatheredMan and The Noise are climbing the ladder of middle age. There’s no hiding from this fact. It’s a bit of a no man’s land. Not old enough to be the teatime slot at Glasto. Too old to be considered in any other demographic of interest. In the world of bands, they’ve pitched their tent on an island of nothingness and pointlessness.

When they were younger, leaner, more ambitious men, they used to laugh at middle aged men in rock bands. Scoffed at them for still playing a young person’s game. How sad, they thought. Well, here they are now. The ones standing on the mocking stage. A bit embarrassed about it, a bit reticent to even announce that they have some music to share.

But here’s the thing: they just can’t stop. And it’s nothing to do with ambition, or dreams of the future. Whatever they were becoming, they’ve now very much become. They just sort of still love it.

Five people listen? Great.
A hundred people listen? Also great.
Anything above a hundred seems weird.

I mean any more than 100 listening means that young people must have got involved and we’d worry for youth on their behalf if they hear any of this. WMATN shouldn’t be young people’s business or on their radar in any way. Middle aged people don’t get obsessed with bands. They’re too busy with lists such as:
Wax the car
Paint the fence
Sand the floor
(NB That’s a joke that works in multiple contexts, and we’re very pleased with it.) So let’s go with it, eh?

WeatheredMan and The Noise return with a new single History, a tight, scratchy, angular track from their upcoming album Still Economy. Built on heavy drums and sharp riffs, it’s direct and restless and loud and rough. Young sounding, one might argue…

Released through Black Lantern Records (part of the RedLantern group), History is full of memory, wires, regret, and wounds. WeatheredMan is Simon Bradshaw, a writer and producer with credits ranging from The Wombats, Red Hot Chili Peppers, Girls Aloud and Peter Hook to a chart topping cut on ShinEE’s Don’t Call Me, which hit No.1 in 78 countries. His earlier bands were backed by John Peel, Zane Lowe and Steve Lamacq and he’s previously been nominated for Best UK Solo Artist by various outlets. That sounds a bit vague but it’s true.

He’s also one half of the pop band Faint Line who scored a bit of an underground indie hit last year with the song Red Tide. However, that’s all old news and nonsense. If what gets you going is someone playing the drums like they’re trying to knock down a house, John Bonham’s house specifically, then The Noise (Mr. Robert Hough) is the main reason to tune in.

History is the first release from Still Economy, a record shaped by unfinished lyrics and the sheer joy of making a loud noise with your friend in a sweaty room, when you really should be getting the weekly shop in.

Follow Weathered Man and The Noise here:
Instagram
Facebook

As is the norm recently, I chuck all this in to chat GPT just to clean up the bios and tidy up the links so it all looks pretty  but I did all the other stuff. 

As I mentioned at the start, I’ve mixed it all a bit louder this week as when I was in my barbers trying to convince him that new music really is on a par with all the old shit he listens to. He is a Bulgarian man in his 30’s who had been telling me how great Boney M were at Boom Town… I mean really. I managed to persuade him to put the podcast on in the shop and it came over a little quiet compared to what he had been listening to before which had been “I love To Love” ffs…. Anyway this is a bit louder, lets see.