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ep43

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com, or on Spotify, Apple Podcasts, YouTube or via RSS.

Subscribe to the email list and get a reminder every Monday when a new episode drops.

If you enjoy the show and would like to support it, you can also become a supporter on Patreon.

I’m Nick Tann, musician and songwriter, sharing the best new music you haven’t heard yet.

As you can see here, my beautiful new desk and chair combo… or can you?

Episode 43

Johnny Marie and The Lonesome Petunias, The Lost Trades, Soft Cotton County, Drop Dead Gorgeous


Anyhoo, to business!

Kicking off with the wonderful Johnny Marie and The Lonesome Petunias and She Caught Car Lights.

This is the email they sent me:

Good day, Nick. Yet another Johnny Marie project. This one is a proper band instead of two guys in a studio with measuring tape and calculators. I appreciate the fact that you have played Flower Pots recently and that if you decide to include this in a future episode it will likely be in the distant future. Celebrate me for remembering to attach the song. Thank you for what you do.

Johnny Marie (Girl for Samson, The Real Flower Pots) & the Lonesome Petunias are a Kansas City band currently recording songs for their 7th album.

She Caught Car Lights is the first release from the band since the 2024 album Sauro!

Links:
Bandcamp | SoundCloud | Website | Spotify | YouTube | Facebook | Instagram


Next up was the delightful trio The Lost Trades and the equally gorgeous track Float Me On Your River.

This is the email Phil sent me:

Hi Nick, hope you’re well.

I’m excited to share the new single from The Lost Trades, which is the first with our new line-up of Jamie, Jess and Phil. The song is called Float Me On Your River and is a dreamy, 60s-inspired reflection on patience, acceptance and growth.

We’ll be out and about playing a few shows during November and December and have plans for more new music soon.

All the best,
Phil

The Lost Trades return with a new line-up and a familiar retro Californian groove.

West Country Folk/Americana trio The Lost Trades will give the world a taste of their new line-up on 7 November 2025, in the shape of the single Float Me On Your River.

The song is the first new music from the band to feature Jess Vincent, who joined after the departure of Tamsin Quin at the end of 2024. The new line-up of Jamie, Jess and Phil have more releases planned for 2026, with the retro groove of Float Me On Your River leading the charge.

The Lost Trades are a Folk/Americana Trio, based in the West Country, with a cool Laurel Canyon vibe. With a sound that is reminiscent of the California folk scene of the late 60s and early 70s, their three-part harmonies have been described as “flawless,” “spine tingling,” and “magical.”

After a global pandemic cut short their first tour after just a single sold-out gig, the band retreated to their songwriting rooms to work on their debut album The Bird, The Book & The Barrel. Released in June 2021, the album spent 8 months in the Official UK Folk Albums Chart. The follow-up, Petrichor, was released in March 2023 and immediately followed suit, entering the chart at #31.

A live performance involves easy interchanging of instruments, including guitar, ukulele, bass and percussion at different points. There’s always a fun intimacy to the show, with the group engaging in comfortable repartee with each other and the audience like a group of old friends.


Soft Cotton County charmed me with their ethereal single Remember.

They use a plugger — the wonderful Emma Scott at Pluggin Baby. She sends me many a fine song, also making sure I get all the relevant information about the artists she plugs. This is some of her handiwork:

Currently working on new tracks for an album next year, Remember is the first to be completed. A second track is near completion and marked for release later this year.

Based in and around Richmond-Upon-Thames, classified as Indie, Dream Pop or Futuristic Folk by some North American radio stations, Soft Cotton County has a few additional colours in the mix that can sometimes transfer to other delicates.

Flitting between indie labels since the last century, with a host of talented guest performers, this project was primarily a vehicle for Andy’s songwriting.

Andy connected with 5000 Records in 2009 when he sent a selection of his songs to several independent labels. A few replied positively, but only Sascha Panknin at 5000 made an immediate offer to release an album of remixed versions.

Subsequently, re-imagined with the eponymous album on 5000 Records, there have been four Soft Cotton County EPs on the label to date, all meeting with critical acclaim.

10 Years of Travel released in 2024 was the long-awaited second album and included four singles.

Since their first album, they have gradually been moving towards the light. Steve Lamacq of the BBC played the title track of their acclaimed EP Leave Tomorrow and two other tracks have since featured on his shows on 6 Music.

They have the ear (sometimes both ears) of notable presenters in Germany and have been played on Paul Baskerville’s NDR show and Radio One Berlin, as well as building a following on college radio in the US and Canada.

Chris Pearson of Radio Caroline also looks favourably upon Soft Cotton County’s sound of milk and rain, and played Blue on Blue several times on his Saturday show.

Recently, the band were supported by radio legend Johny Kennedy on his X-Posure Radio Show. “Absolutely lovely… Beautiful stuff.” Everyone was thrilled.

Band personnel on Remember:
Shira Fox – Vocals
Spells – Additional vocals
Andy Coombs – Vocals, guitars, keyboards, programming, recording, editing
Sascha Panknin – Programming, engineering, editing

Musical influences:
Shira: Ella Fitzgerald, Nina Simone, Thom Yorke, Regina Spektor
Sascha: Kraftwerk, Tangerine Dream, Trevor Horn, Brian Eno, Quincy Jones
Andy: Mazzy Star, Kate Bush, Julee Cruise, Everything but the Girl, Talk Talk, Prefab Sprout, Roxy Music, Peter Gabriel, Bowie, Dylan, Brian Eno, Johnny Cash

For fans of: Saint Etienne, Mazzy Star, Peter Gabriel, Everything but the Girl, Bowie, Julee Cruise, Kate Bush, London Grammar

Links:
Website | Facebook | X | Instagram | Bandcamp


Drop Dead, Gorgeous wrap up the show with their new single Burn.

Emma Scott also sent this one over.

Drop Dead Gorgeous emerged in the mid-2000s with an emotionally charged take on post-hardcore that helped define the era.

As teenagers from Denver, their 2006 debut In Vogue became a landmark for Rise Records, blending synth-laced breakdowns, theatrical flair and raw vulnerability.

Follow-up albums like Worse Than a Fairy Tale and The Hot N’ Heavy cemented their place in the scene, influencing a wave of bands that followed.

After a decade-long hiatus, core members Daniel “Stills” Stillman, Danny Cooper and Jake Hansen returned in 2024 with a string of surprise shows and, in 2025, released their first new music in years with the single Six Feet.

Now, the band is set to continue that momentum with their upcoming track Burn, produced by Elliot Polokoff and mastered by Grammy-winner Ted Jensen.

“Two decades deep, we’ve written a song that feels like light and shadow colliding, where melody and dissonance bleed together, and heavy and alternative dissolve into something that refuses to be defined.” – Danny Stillman, vocals.

Links:
Website | Facebook | Instagram | TikTok | Spotify

Emma gives good bio, as you can see.


I rattled on about the Subscribers’ Choice Special show. If you want to take part, simply enter your email address in the appropriate place and click subscribe at nicktannsfreshmusicfix.com.

There you have it, another episode in the bag.

I recorded this yesterday evening around 6 pm. I felt I rushed it a bit as I had left it a bit late and wanted to get to my dinner, soup, and it was delish.

I intend to record next week’s episode during the week, so here’s hoping.

Hi Drew xx

 

Categories
Published Podcasts

ep42

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com, or on Spotify, Apple Podcasts, YouTube or via RSS.

Subscribe to the email list and get a reminder every Monday when a new episode drops.

If you enjoy the show and would like to support it, you can also become a supporter on Patreon.

I’m Nick Tann, musician and songwriter, sharing the best new music you haven’t heard yet.

Episode 42

JW Paris, Toothgore, Pacificaze, Heron


Bringing us straight in with a bang this week is JW Paris and the splendid Anytime. 90s vibes with some Blur and Oasis feels.

This blurb is epic:

JW Paris are a 90s grunge Britpop-inspired three-piece featuring Gemma Clarke, Danny Collins and Aaron Forde.

Fresh from storming Radio 1’s Big Weekend, JW Paris are riding a wave of momentum. With spins on BBC Radio, a slot at The Great Escape Festival, sold-out shows in Europe and local press rallying behind them, the band is coming off a run that’s seen their songs synced across US TV and film, taking their sound far beyond UK borders.

Now, with a brand-new single Anything locked in for October 2025 and a headline show at the iconic Hawley Arms (30th October), JW Paris are set to channel the euphoric energy of the Britpop summer, with sonic nods to Elastica, Blur, Pulp and the swagger of peak Oasis, into their boldest, loudest and most ambitious release yet.

Story Behind The Song:

Anything marks the bold first step of JW Paris’ 2025 EP, a single that captures the energy, attitude and atmosphere of Britpop’s heyday while offering a modern twist. With nods to Elastica’s edge, Blur’s London charm and the Oasis summer tours, the track feels like a time capsule cracked open, as if you’ve just stepped into Soho in the mid-90s with the night stretching ahead.

Built on spiralling guitars and a driving rhythm, Anything has a restless, anthemic energy that bottles the last days of the British summer, bittersweet.

Lyrically, it explores possibility, identity and the blurring line between dreams and nightmares: “I could be anything, but everything is nothing… If dreaming was a reality, then my nightmare would look a little bit like you.” The looping mantra of spinning “around and around” mirrors both the dizzying rush of youth and the claustrophobia of being trapped in someone else’s expectations.

From the defiance of “Don’t try to bring me down and make me feel this way” to the isolation of “You’re just another face in the crowd, drifting out of space,” Anything delivers a heady mix of rebellion and vulnerability. It’s a song steeped in nostalgia but not stuck there, a modern anthem for a generation still searching for meaning in the chaos.

Promoting Anything, JW Paris completed a run of shows in Europe, including a headline show at the iconic Hawley Arms.

Previous singles from the EP — Geeks & Freaks, Who Are You, Alive and You’ve Got Me — have collectively achieved more than 50k streams on Spotify, with nationwide airplay from Jack Saunders (BBC Radio 1), Steve Lamacq (6Music), John Kennedy (Radio X), Frankie (Amazing Radio UK & USA) and Frank Skinner (Absolute Radio). They also featured on Apple Music’s New In Rock playlist and This Feeling’s Single of the Day, and received over 20 indie blog reviews.

JW Paris have been described as sounding like Joy Division and “where gritty meets swaggery” by Chris Hawkins (6 Music) and “face-melting riffs” by Jack Saunders (Radio 1).

There’s more to see on their Facebook page, including men wearing vests:
Facebook


Next up is Newquay’s own son Toothgore and The Lighthouse. A great song with plenty of energy from the start. For more info on him, you can click here as I played one of his tracks on Episode 33.


The delightful Pacificaze shoegazed their way into our hearts with the wonderful Short Life. A wonderful song that is best listened to on headphones, as I recommend for all the tunes I feature.

If you don’t want to listen, this blurb explains what you’re missing and also includes a link to their marvellous website:

Pacificaze are a genre-blurring indie band weaving nostalgic warmth with modern edge.

Their newest single Short Life captures themes of longing, joy and melancholy through layered harmonies and immersive production. Drawing from the sun-drenched vibes of 60s surf rock, the analog fuzz of 70s psychedelia and the hazy textures of shoegaze and modern indie, Pacificaze deliver a rich sonic tapestry. With a rock-solid rhythm section and intricate, reverb-soaked guitar work, their sound is at once retro and refreshingly current, a dreamy yet driving reflection on the fleeting beauty of life.

Selected as Self-Releasing Artist of the Month by Absolute Radio, played on BBC Introducing and debuted at Glastonbury, Short Life and Pacificaze are ones to watch.

Website


Finally, the massively talented Heron with What If?

This explains the track and what Rob is about:

A true DIY artist, Heron wrote, produced, performed and mixed the track in his home studio. He also directed and edited the accompanying video and designed the single’s striking artwork, extending his vision beyond sound into visual storytelling. This self-sufficient approach underscores his commitment to authenticity and artistic independence.

In the lineage of Rufus Wainwright, Brian Wilson and Beck, Heron carves out a sound unmistakably his own. His previous work earned him a deal with Virgin, Record of the Week in The Sunday Times Culture Magazine, and recent features in SPIN and Rolling Stone. Previous singles from this project have already gained radio support from BBC Introducing, Radio X and RTE R1 Ireland, establishing him as one of the UK’s most versatile and genre-defying independent voices.

What If? also serves as a key chapter in the unfolding journey of Underground Sky — an album released one song at a time throughout 2025. Each single reveals a different facet of Heron’s vision, from uptempo alt-pop to stripped-back ballads.

I loved the track and made the comparison between Heron and Marvin B. Naylor and The Corgis.


And that was it, except I did mention the Subscribers’ Favourite Special podcast that will be available from 29 December.

If you want to participate, the first thing you need to do is subscribe to the website by visiting nicktannsfreshmusicfix.com, enter your email address in the appropriate space and click Subscribe.

Simple, eh?

Catch you gorgeous lot next week.

Goodbyeeeee.

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com, or on Spotify, Apple Podcasts, YouTube or via RSS.

Subscribe to the email list and get a reminder every Monday when a new episode drops.

If you enjoy the show and would like to support it, you can also become a supporter on Patreon.

I’m Nick Tann, musician and songwriter, sharing the best new music you haven’t heard yet.

Categories
Published Podcasts

ep41

You can listen to every episode of Nick Tann’s Fresh Music Fix right here on nicktannsfreshmusicfix.com, or on Spotify, Apple Podcasts, YouTube or via RSS.

Subscribe to the email list and get a reminder every Monday when a new episode drops.

If you enjoy the show and would like to support it, you can also become a supporter on Patreon.

I’m Nick Tann, musician and songwriter, sharing the best new music you haven’t heard yet.

Episode 41

Hi and welcome to episode 41 where I play The Casbahs, Subscene, Luna Marble, and Orlando Kallen.


The Casbahs – Electric Daydreams

(You try saying it!)

They start us off with a cracking guitar track that could have done with a bit more in my opinion, but I loved it just the same. This is what Joe sent me:

THE CASBAHS are a five-piece guitar-driven indie rock band from the North East, carrying the spirit of Britain’s great guitar bands from the 80s, 90s and 00s into the present day. With jangly riffs, soaring choruses, walls of noise and unapologetically big solos, their sound is both nostalgic and fresh – unmistakably British, with a classic edge.

Formed in late 2019 by vocalist Niall Fenwick and guitarist Joe Teasdale, the band’s early singles So Happy and Wanderlust set the tone before the release of debut EP Sea or Sky. After delays brought by the pandemic, their debut album Been Here Before arrived in 2022, featuring fan favourites Insomniac and Out of Luck. Since then, The Casbahs have grown into a powerful live act, playing shows across the North East and picking up support from BBC Introducing.

Now joined by lead guitarist Steven Grainger, The Casbahs are gearing up for their most ambitious chapter yet. Their new single Electric Daydreams (out September 19) is a huge, feel-good anthem with a chorus that lifts you sky-high and a solo that blasts you straight back down to earth. It’s about seeing the world from greater heights and that’s the intended feeling when listening to it. It begins a series of tracks building up to their long-awaited second album.

As is the case with a lot of artists, they use Linktree — it’s like a website but not as good as one:
linktr.ee/thecasbahs


Subscene – And We Float

A wonderful earthy mixture of urban beats and ethereal vocals (you like that?). Just beautiful and reminiscent of friends of the podcast The Zealots, which is a wonderful thing. Jude wrote:

SUBSCENE is made up of myself and Lester Kamen. We met through the modelling industry, and then started writing together and recording together in Lewisham when Lester lived there and I lived in Tooting, this was about 2 years ago now. We both come from creative backgrounds — my parents were in a band together (Salvation Sunday!) my dad still playing and doing his thing in Winchester! Lester’s got an interesting background in music and art too. His uncle Nick Kamen was a musician and worked with some really cool people in the 80s. His uncle Chester Kamen played in bands and was a session player too.

We record all of our music in Oxford which is where Lester is based, with producer Oli Whitworth. But we write anywhere and everywhere we can!

We just released our first single Some Days We Float a few weeks ago, and our next song Only a Phone Call Away will be available on all platforms on November 7th.

Socials:
Instagram


Luna Marble – Crazy Loving

Taking up the third spot this episode with a great rocking track that rinsed the title, which always goes down well with me. This is what they sent me:

Formed in 2021, Manchester-based Luna Marble is made up of Maria Rico on vocals, Dragos Colceriu on guitar, David Grundy on bass and Sean Stewart on drums.

Their music taps into the freedom and authenticity of 70s rock while redefining it as their own by seamlessly blending genres and adding whimsical charm. With supercharged stadium-ready tunes, the band marries anthemic choruses with ethereal textures and enchanting melodies, taking this well-loved genre to a new territory. They have been compared to acts like Led Zeppelin, Pink Floyd, Fleetwood Mac and Rival Sons.

The cosmos holds a deep presence within the band. Through stage outfits and starry stage decorations, Luna Marble offers their audience an audiovisual experience that complements their defiant and transcendental songwriting.

They won Classic Rock Magazine – Track of the Week, were shortlisted by Kerrang! Radio for a record label deal, and have playlist and radio support from artists like Joe Bonamassa and Elles Bailey on Planet Rock. Their debut album is set for release November 7th, with a special one-night-only preview show at Manchester Academy 3 on October 3rd.

Follow them here:
Website | Facebook | Instagram | TikTok | Bandcamp | X


Orlando Kallen – Greece n’ Paris

Orlando Kallen supplied me with my soundtrack for my next European holiday with this smash of a track that I absolutely loved.

Here’s the bio I was sent:

A 20-year-old Australian-born pop artist with Greek, Egyptian, and Croatian roots. Orlando is a singer, songwriter, and producer whose music blends timeless pop influences with a fresh, modern edge.

I found his website – and it’s fabulous!
orlandokallen.com

It contains a must see video of the song as well as a chance to win a thousand dollars. I kid you not!


And there you have it. I may have said a few other things but to be frank, I’m just too tired to remember and I only recorded this about half an hour ago. So please forgive me (Drew) if I’ve missed anything.

I did mention that you can help support the podcast by subscribing to our Patreon page, so go and have a look and see if you can spare £5.

Love you, bye!